Unlike the PA2s, they could do the 4-way without help from the amps' DSP. That's when I cried uncle and bought a pair of Venu360s, one in each rack. I did that with a pair of PA2s for a while, but then I had to fiddle with *four* presets every time I reconfigured my rig. That got worse when I split the (overly heavy) stereo FOH amp rack into two separate racks, each with its own DSP. I didn't particularly like having to fiddle with three different pieces of gear when I wanted to change to the relevant preset, that was both somewhat inconvenient and a source of error (forgetfulness). For my uses, the headaches arose because I switch my FOH system between a few different configurations depending on the venue.
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I think that's what the OP posted as a possible upgrade path.įrom a convenience and tuning standpoint I found that spreading the DSP over two different platforms was certainly workable. I'd been using a PA2 together the DSP in a pair of crown XTI2002s (for the subs) to run a stereo 4-way setup. The PA2's Ipad and PC apps are great, and the 360's apps are pretty much identical. I was tempted to go that route (a modded DCX) for studio use, but I really don't wan't any of their gear in my road rig. That said, the DCX is inexpensive, and as mentioned, is hot-roddable if you're so inclined. I only have personal experience with their analog crossovers, which sounded terrible to me. I have a fairly deep seated anti-Behringer bias. I have a stack of PA2s and Venu360s (and prior to that, the PA and PA+).
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